This style of overcoat, with its conspicuous consumption expressed through fabric-intensive vestigial sleeves, was the most fashionable, most formal, and most high-status of the overcoats. Made in the finest brocades and velvets with a broad, decorative collar, it was the hil’at, the grand court overrobe. Made in less showy materials, it was the ordinary overcoat of the well-to-do Ottoman.
-
Section Menu
Site Menu
- Women’s GarbPiece by piece
- An Illustrated Guide to the Layers
- Don | Underpants
- Çakşır | Trousers
- Gömlek | Shift
- The Cut of Extant Gömleks
- Zıbın | Short underjacket
- The Perplexing and Obnoxious History of the Zıbın
- Kürdiye, Çuka, Kürk | Overcoats
- Arakiyye and All the Trimmings | Hat, veil, hatband, scarves
- Ziynet | Jewelry
- Pabuç and Mest | Shoes
- Hairstyles
- Ottoman Turkish Garment Gallery
- Clothing DetailsFabrics, colors, patterns, dimensions, and other details
- Types of Fabric
- A Brief Note About Jacquards and Brocades
- Terms of Measurement; or, Tell Me What Year You’re In and I’ll Tell You How Tall You Are
- Color Names
- Capturing Lost Patterns
- Slaves’ Clothing
- Garment Lengths in 1624
- Stage 1 of Geeky Statistical Analysis
- Pigments in 16th-Century Miniatures
- Janissaries’ Uniforms
- Articles
- Identifying GarmentsBy look or by name
- Turkish HousesAnd material culture
- NamesTurkish Muslim, Greek, Armenian, and Jewish
- Resources
- Women’s GarbPiece by piece
-
Recent Posts
Categories